Monthly Archives: December 2009

Have a VERBY New Year!

VERBS have been coming at me from several directions lately and have caused me to stop and ponder…

My teacher, Alex Mandossian, asks his students to “proclaim their verb!” I ________, therefore I am! Some verbs from that class include teach, inspire, blog, nurture… mine is create.

Then local artist and entrepreneur coach Rebecca Shapiro suggested choosing a verb to define 2010 instead of making resolutions that would more than likely be forgotten or defeated by the end of January. I love this idea! SO watch this short video and pick a verb… feel free to leave your choice in the comments to inspire others.


Here’s to a creative and verby 2010!

– Tara

P.S. If you need help getting organized and focused, don’t forget about The Goal Wheel for Artists™ eBook

P.P.S. Need clarification on what verbs are or just want to go back in time and enjoy a great School House Rock song? Here it is – VERB!


Cool Software Discovery 2009: Dropbox

I know I’ve talked about this before but here it is again – I LOVE Dropbox! A free online file storage / file sharing website, it rocks!

I have used it to send large files to my art licensing clients.
I have used Dropbox to share photos with my family.
I use it to backup and move my 1Password logins between my desktop and my laptop.
One Saturday night an artist emailed me in a panic, with a photo of her broken Product Mock-Up Magic CD, telling me how she needed the photos to do some mock-ups needed on Monday.  I was able to get her everything she needed within 1/2 hour. (Lucky for her I was on my computer!)

Here is a link to sign up: I WANT DROPBOX TOO! (disclosure: this is my affiliate link – if you learn about Dropbox from me and sign up, I get extra storage space.)

Here’s to your organized and creative success!

– Tara

Thoughts about Print-On-Demand Sites from Artist Jen Goode

There’s this penguin that I absolutely adore… I’m not sure when I first saw it, but it makes me smile everytime I see it. :)

Then I joined Twitter and found the penguin there!  I have developed a ‘virtual friendship’ with the woman behind the penguin – Jen Goode.  In fact, it was MONTHS ago (guilt! Jen! Guilt!) that I asked Jen to share her experience with Print-On-Demand sites with me and the Art Licensing Info crowd.

Like the rest of us, Jen is a busy entrepreneur with a family, several income streams in her creative business.  But lo-and-behold – much to my surprise she hadn’t lost the questions I emailed her and took some time to give us great information.  (Thank you! You are now absolved of all guilt!)

So for everyone wanting to learn a little more about Print-On-Demand sites and how to make them work for you, read on…

FIRST, A LITTLE ABOUT YOU…

1.  Why penguins? I know you for your penguins but see you have other amazing collections as well… did it start with penguins?
Talk to me about the cute lil’ penguins!

The penguin is a very serendipitous part of my art collection – It created itself and I just played along. At first I had 2 very different penguin characters among a pile of other designs… Cows, pigs, girlie attitude sayings, coffee, floral art, etc.

I’m always looking for ways to expand what I have by first starting with what I have, so right around May of 2006 I was looking at what I had and thought, being nearly summer, my then naked penguin needed some swimwear (who knew?). So I created one with swimtrunks and one with a sun hat and bikini. I was almost 1.5 years old in the Print on Demand business and still trying to figure out how to make it all work for a real income – find a style that fit the products.

Until that swimwear version my now “famous” penguin hadn’t been purchased by a single soul… and someone bought a swim trunk version. A friend of mine and I were joking about dressing penguins and the idea just exploded. I couldn’t find enough time to come up with all the character outfits and the list of “need to create” is still long. The more I drew the more they sold and it’s grown from there. He’s got a look about him, a personality, every time I create a new outfit, I don’t know what that is.. But it makes me giggle still.

I have created over 500 design variations of the penguin as well as polymer clay version and a hand sewn mini plushie. Another story – the mini plushie was taken to an internet conference in January of 2008 – for no particular reason. I started using it as a conversation starter, asking to take pictures of people with my penguin.

So many asked “why, what are you going to do with my picture now?” that I started a website there at the conference to post the pictures and talk about the people I met. He was quite the talk of the show and even now I have people asking me at events “did ya bring your penguin?”. Now the mini plushie goes every where with me so I can take photos with him of places and things we see – I then post on MyPenguinTravels.com

I’ve used him for fundraising, especially Breast Cancer Awareness (PinkRibbonPenguins.com). Since the penguin craze started, I myself have become obsessed with penguins – I’m fascinated by their attributes of loyalty and family unity and I’m in awe of the people who love them.

Now, as a family we take picture when we’re out and see a penguin (Walmart, whatever). We make a point to stop and visit any exhibits of penguins anytime we’re out of town. It’s become a family thing – we’re all penguin freaks and I started it, I’ll apologize to the kids later.

2.  What do you create?
I like to think I create smiles every day – that’s the goal. Really I create fun digital art for the kid in all of us.

3.  How did you start creating?
I’ve been creating since I was really young. I’ve always loved art and always loved making “stuff”. This particular style of art evolved as I explored the Print on Demand industry and found what works for me on t-shirts. I started with more fine art and photography. Prior to my involvement in POD, I offered professional Graphic Design services to clients for print and web media.

4.  What medium(s) do you use?
I primarily use digital art using Photoshop and sometimes Illustrator. However, every now and then I will play with paper or fabric or hand drawing to get ideas. But because all my work needs to be digital, I rarely start a digital piece outside of the computer.

5.  What or who inspires you?
Life inspires me. An idea can come from every where, anywhere and at any time – my biggest obstacle is keeping up with the ideas. Leonardo Da Vinci, M.C. Escher, and Ty Wilson are my biggest art influences. Leonardo for his incredible curiosity and willingness to learn and explore. M.C. Escher for his uniqueness and ability to put thoughts on paper and Ty Wilson for his brilliance in simplicity – it still amazes he how he can create an entire mood with only a few brush strokes.

6.  What kind of training, schooling or other learning experiences have you gone through that have helped you get to where you are now?
I’ve been drawing since I could walk – art takes practice… Schooling teaches the logistics of the process and exposure to critique. But schooling doesn’t teach the ability to “See it” in your mind. That said, the majority of what I know and how I do it is self taught. I do, however, have a certificate in web design and an Associates in Graphic Design – which took me 6 years to earn.

I tend to invent projects as a way to learn. I have always been fascinated by the challenge of producing something on a budget and making it really work so I come up with project ideas and practice creating results with real limits and budgets. Makes dealing with client expectations so much more realistic.

CAN YOU EDUCATE US ABOUT PRINT-ON-DEMAND SITES…

7. You’ve got quite a large collection of designs available through Print on Demand sites, what is Print on Demand?
Print on Demand is the concept of products being sold but not actually available in tangible form until someone makes a purchase of that products. This allows for a much larger inventory to offer customers without the associated expenses of carrying that inventory. Cafepress and Zazzle are the two biggest players in this industry. Each allows artists to sell their designs on a variety of products by opening a store, uploading their designs and choosing which products they would like to sell featuring their designs.

8.  How long have you had shops through Print on Demand?
I opened my first Cafepress store in Feburary of 2005, my first gallery on Zazzle shortly there after but didn’t start working on it until recently.

9.  I see you have your own look/feel to your sites and not just the free CaféPress option.  Do you think that is necessary to succeed?
Absolutely! A full premium shops is important when promoting your art through a Print on Demand site. The basic shops at Cafepress are a waste of time because what makes this kind of art selling work is quality plus quantity. Quality alone won’t make it work on any significant level.Also, I feel branding is extremely important, so having a premium shop is key to establishing your own unique style for your shop design.

10.  There is SO MUCH on CaféPress and Zazzle… how do people find you?
Luck? Ha! There’s a lot that goes into being found on these sites. Good titles, descriptions and tags are the first step.

Don’t label the art, describe it so people searching will find it. This is also where quality and quantity are important. Good quality designs tend to rank better in the search results  (long term) and having a number of good quality designs makes for more viewings. I do my own marketing – Twitter, my own blog, Facebook, etc. I also worked really hard to get my design pages listed in Google. It’s definitely not a “put it up and let it sit” process. Nothing sells that way.

11.  Do you do your own marketing or do the Print on Demand companies take care of it all?
Both. The companies spend a lot more time and money on marketing than I do because they can, but they don’t market me specifically.  I do my own part to make sure I am building awareness for my work.

12.  What kind of income can a person generate through Print on Demand and how much time do you think it would require? (daily/weekly/monthly… ?)

This is really a tough question – mostly because I don’t have access to real stats, only my own and those I’ve talked with. However, there are some that have made a full time incomes from Print on Demand. That, in reality is about 5% (at most) of the user base. Cafepress has been doing this a little longer and is a little more established than Zazzle… But results for artists are varying for how successful each company is for them.

For me, Cafepress is by far a better performing company – yet part of that is due to my inventories not being the same on both sites. Although there have been changes in the market and the industry, I am still making a decent income through Print on Demand – Keep in mind, it took 18 hour days for 2 years to build to the level it is. I put in a lot of extra hours and work into building this into a business… Again, it doesn’t work just putting up some designs and telling people they are there.

– a few reasons why I think Print on Demand is a good idea for artists to consider – established to brand new….

  1. It’s a great outlet to explore how designs look and sell on products without the critique of other sales people. It’s you, the products and customers who decide if it’s worth buying
  2. It’s a great way to broaden your reach and exposure for your art or your brand. Cafepress and Zazzle submit their products through to Google and other streams of information – so your work is out there to be discovered
  3. Both sites offer Affiliate programs which allow others to promote your work as well – they earn a commission if they send a sale – so now it’s not just you and your art, its you, your art and everyone else who wants to tell people about it… Promoting your art. I love that idea the best!
  4. Even a little income is better than no income – you add enough little incomes together and you get one big nice income. Print on Demand can be one of these extra incomes in the pile you build from your art,
  5. It’s cool to see your art on stuff. At least I think so. And its even more cool to have a customer contact you and say “hey I love your stuff” or “hey I just saw your t-shirt on my friend the other day”.

THANK YOU JEN for your willingness to share your experience and opinions with the rest of us!  Wishing you Much Success with your Penguins and all your other designs as well!

– Tara

P.S.  To see Jen’s art and get that happy – smiley feeling I get, visit www.JGoodeDesigns.com, www.JGoodPenguins.com, www.Zazzle.com/JGoodeDesigns

disclosure: I have no vested interest in your clicking on these links or making a purchase, just want you to see what she does, how she does it and if you love it – buy something so she can keep on doing it! Go Jen!

Rebranding of a Tiger by Paul Brent

The guest blog post by Paul Brent, Branding: The Tiger and the Gate Crashers , on December 15th was so well received, Paul is offering more thoughts on the matter as the drama unfolds.  While the situation is a mess for those personally involved, it does provide some interesting insights and talking points as we all consider our own brands… here is what Paul has to say:


If Tiger Woods would be so inclined, I would offer him this advice from someone who has been observing the branding phenomenon for the past twenty years, “Just change you image to fit reality, Tiger.”

While the golfing industry and several of Tiger’s endorsement partners need a squeaky-clean family-man image, there are plenty of products and entities that would be perfect for Tiger Woods new image.  To begin with, alcoholic beverages and energy drink with caffeine and all of those other activities that promise heightened performance both on and off the golf course. A Tiger posing as the Captain or sipping malt liquor with an attractive blond on his arm would be a winning combination.  The city of Las Vegas should contract with Tiger to be a spokesperson. Who better to say, “What happens in Las Vegas stays in Las Vegas. I should have played in Las Vegas.” What customer of those products wouldn’t believe in his endorsement?

Brand building and brand management is a personal journey that all licensing properties and artists have to deal with, as Tiger does. Well, maybe you do not have to deal with it so dramatically and not in the eyes of the world.  As you develop who you are as an artist, whether a designer of scrapbooking supplies and children’s wear, or t-shirts and surfboards you need to fit the image of someone who relates to their market and consequently the customers who buy your licensed products.

Christian Reese Lassen and Mary Engelbreit are two artists who embody their artwork and who are brands their customers and fans can relate to yet are very different.  Lassen, the surfer who paints the ocean and tropical sunsets has veered from his popular under and over ocean scenes painted in exacting detail to many other subjects and a much looser palette knife style.  His fans have followed along.

Mary Engelbreit has had a magazine devoted to home decorating and home style recipes.  Her loving characterizations of vintage children with charming quips attract a totally different group of fans.  Mary has kept true to her initial image and has not changed her style or outlook.  Will she allow herself room to grow and change?

Personally, I have progressed in licensing from a watercolor style that has been called “breezy” by one reviewer in the Wall Street Journal to oil and more tightly rendered watercolors with digital enhancement, all the while keeping close to my coastal roots. I feel that my changes can be considered evolution rather than radical change.  Many times a new subject matter or new media use was precipitated by a personal experience, sometimes just a wild idea or my take on an incoming trend.  Each time I introduce a new collection I think of the story behind the art and how I can talk to customers about the new work.  This adds to the value of the artwork and makes them understand how I relate to the art I create.

So, who are you as a brand and an artist? Does your image allow you room to grow or are you constricted into a limited market due to how you define yourself?  How you change as an artist and a brand are part of the natural change of life itself.  Let’s hope we all manage our changes better than Tiger.


Here’s to your ever evolving brand to help you build your creative future!

– Tara

disclosure:  Paul Brent nor I have any vested interest in Tiger Woods, Christian Reese Lassen or Mary Engelbreit – they are simply used as examples in the context of branding.

Change to the website to make it easier to see what is coming up!

I’ve been struggling with how to keep you posted, quickly & easily, about what is coming up. Of course there is the blog but it changes a few times a week.  Ditto Facebook.

The logical choice seemed to be the website, but how?

One day this week when I wasn’t artistically inspired I think I came up with a plan.  The home page at www.ArtLicensingInfo.com now has a bulletin board!  This will have time-sensitive, upcoming or new events and products listed.  It will help you keep track of who is doing the monthly Ask Call and where to sign up for details.  (I’ll also work on a master “Ask Call” email list to cut down on the confusion we had in December.)

So… this doesn’t need to be a long drawn out post.  It’s just an “FYI” – if you want to see if what is coming, go to the main website and check the board. K?  Hope this helps!

– Tara

What we can learn from Warner Bros' Road Runner…

This morning I was talking with my mastermind group and discussing how I need to find ways to outsource some of my work so I can continue to grow my business and still have a life.  I know this is an issue facing many artists, as we have talked about it, emailed about it, belabored about it… but rest assured this is a challenge that faces people in all walks of life, not just artists!

So I tweeted a link to a Tazmanian Devil clip and said, “this is why I need help!“  Although he busts through anything that stands in his way (visualize the trees, boulders and mountains as obstacles in your business) he is spinning in circles and doesn’t really seem to have much of a plan!  I don’t want to be the proverbial “bull in a China shop” but aspire to flow with more focus, direction and harmony.


So I got to thinking… maybe the Road Runner is a better analogy. He seems happy (I love what I do!) is always moving at top speed (if he owned a business he’d be implementing great ideas quickly – as I like to do) and moves in a straight line (better than circles – let’s just hope he knows where he wants to go.)

So what does Wil. E. Coyote represent? In this scenario, he represents the Road Runner’s fears – the perceived challenges, obstacles and things that hold him back.  By the end of the clip when the Coyote finally catches the Road Runner, he is too small to eat him.  The Road Runner finally realized that it’s ok to stop running, that what he fears most only has the power he gives those fears and that in reality, he’s in charge.


My point? Don’t spin in circles without a plan.  Don’t let your fears, worries and concerns make you believe you have to work at hyper-speed at all times.  Become the big, empowered Road Runner and know that you can chart a course and do whatever you want with your life and business.  You are in charge!

Here’s to your creative success!

– Tara

P.S.  If you need help charting your course and you are an artist or creative professional, check out my newly revised Goal Wheel for Artists.  $10 off thru January 1st with code “ARTGOALS”

Cool Software Discoveries 2009: Daylite Business Productivity Software for Mac

If you own a Mac and run a business, you have to look at this software.  I insist.

I have a great memory (ask anyone who wishes it weren’t quite as good!)  and for a while, I was able to keep track of clients, business potential, who I showed art to, etc.  Or I used a notebook and wrote things down, sticky note reminders, etc.  But as my business grew, it got harder.  I  felt like I was losing track of information and missing opportunities because my systems weren’t good enough.  Let’s not even talk about how many Mailbox folders I had created in MacMail – but then I had to manually move emails sent and received and sometimes it just didn’t happen.

This is another great Twitter find.  When I started searching for an integrated program to keep me on track that would grow with my business, I used Google to search and Twitter to see what others were using.  A few suggested Daylite.

Then @mbookspan, a certified Daylite consultant, tweeted me, offering to chat and see if Daylite would be what I needed.  Well we decided it would work and I made a great decision: I bought the software from Matthew and hired him for a 2 hour “boot camp” of sorts.  We talked through the computer, he took control of my mouse from 2 states away and got me all set up!  I told him what I wanted to do, he showed me how.  Talk about shortening your learning curve!   With no compensation for this glowing recommendation, I would recommend anyone considering this software talk to Matthew.

His website: www.mbookspan.com
or find him on Twitter: @mbookspan

Here’s a little video demo of what it is and why I like it…


Here’s to your creative success!

– Tara

disclosure: I have no affiliation with Matthew Bookspan or Daylite software other than purchasing their products and services and being thankful I did each and every day!

ARTISTS looking to get more focused on setting goals to build their business REJOICE!

It started in June as a teleseminar…

Then it was sold as an mp3 replay, action guide and transcript for those who missed the live call…

Now, just in time for 2010, The Goal Wheel for Artists™ is a new and improved eBook.

By an artist, for artists and any creative professional, this goal setting system will help you focus and move forward in your business, while still giving you time to work from inspiration.  Set and achieve goals that make sense, feel good and keep you motivated.  Learn to say “NO” to things that distract you from your vision so you can say “YES” to what you want.


To learn more, visit www.TheGoalWheelForArtists.com. Isn’t NOW a great time to reflect on where you are, decide where you want to go and chart a course to get there?

Wishing you much success now and always!

– Tara Reed


Happy Holidays and a Creative New Year from the Team at ArtLicensingInfo.com!

What a year 2009 has been!  When I went to make this little video greeting, the amount of exciting things that have happened this year really hit me!

Four new experts came on board – thank you Paul Brent, Cheryl Hodgson, Jill Seale and Suzanne Cruise!  The monthly Ask Call Series has been very well received and a lot of fun to share and learn.  (How else would I get nationwide weather reports from the people who really know?)

We are working on lots of great new projects for 2010 so stay tuned, but for now… here’s to you!


– Tara

Suzanne Cruise, Art Licensing Agent, shares her knowledge and the mp3 replay is free!

SuzanneTaraPhotoLast night was the December “Art Licensing Info Monthly Ask Call” and I had agent Suzanne Cruise on the line. Suzanne has been an agent since 1990 so she certainly knows the business!  Several times she reinforced that this is a relationship business – quality art is obviously needed but equally as important is the relationship you or your agent can build with the manufacturers.

In the hour we talked about all the questions submitted by artists, I learned so much and hope that everyone on the line did as well!  If you missed it you are in for a treat because the mp3 replay is available for free! (Well, the cost is your email so we can keep you up to date on what is coming up!)

I also really enjoyed getting to know Suzanne better and learning about how she looks at art, works with artists and tries to make art licensing a win-win situation for everyone involved.

Here are the topics we covered:

  • How do you know if you are ready for an agent?
  • How often do agents want art?
  • What criteria does Suzanne use when deciding if she will represent an artist?
  • Does an artist have to have experience in licensing to get an agent?
  • How much art do you need to find an agent?
  • Do different agents specialize in different product categories?
  • Can you work with more than one agent?
  • Do many agents work on a non-exclusive basis?
  • What if you do mostly pattern work – will you be able to find an agent?
  • Is it a good or bad idea to build a following for a character on sites like Zazzle and personal websites before trying to license the character, or will that hurt the chances of success?
  • Do artists have to have computer skills to succeed in licensing?  MockUp-CdCase
  • What computer skills would be helpful for artists to know if they want to license their work?

Suzanne also mentioned several times (much to my delight!) that it is good to be able to mock-up your designs on products so you or your agent can show manufacturers how well your designs will apply to their products. (I didn’t even prompt her – I promise!)  So if you don’t have your copy of Product Mock-Up Magic yet, maybe now is the time to get it!

I promised to link to my blog post about creating a code system for your art – another thing Suzanne recommends. CLICK HERE

Finally, we talked about a Photoshop plug-in, Contact Sheet, and I will do a separate blog post about that soon.  Thank you to all the artists who sent me information – it seems to be in different spots in each version of Photoshop and I haven’t had time to really dig in and investigate.  Stay tuned…

To get your copy of the mp3 replay, CLICK HERE

Here’s to your creative success!

– Tara

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