Another great Art Licensing Info Ask Call last night…
We had over 100 artists on the line last night – hope you were able to join us! We covered lots of great information, tweeted, Facebooked and had a great time! Thanks to artists like you who submit questions and the experts who join me – this is a valuable resource for learning about art licensing. The replay is now available for purchase – $20 thru March 31st – a great deal for an hour of education and your purchase helps offset the cost and time involved and helps me pay Maria for her time to help. (Thank you again Maria!)
What we covered on the call…
- Did you have a substantial body of work already created and ready to go before you started trying to license your work or did you create designs as you went along?
- If I sign a exclusive deal with a greeting card company for my photographs can I sell the same image to another company for a different product?
- Besides the general questions how about some of the nitty-gritty, like besides the art image, what other information do you include in your portfolio?
- Being self employed and/or working from home how do you separate work from home? How do you get things accomplished without a boss to answer to?
- Is it ever ”too early” to go after the ”big whale”? Should relatively unknown artists go after the bigger brands?
- How can a new artist best take advantage of walking a trade show like Surtex, when they are not an exhibitor?
- Is it necessary to go to the trade shows to get started, or is contacting licensees on your own a viable way of working?
- Where do you get contracts from when you are starting and how/when are changes made, if any?
- I am not interested in licensing my designs to products that will be produced in China. This is a big moral dilemma for me. How much will I be ”shooting myself in the foot” if I stay true to that?
Remember – the replay is on sale for $20 thru Saturday, March 31st so grab your copy at the discounted price now!
Resources we mentioned on the call…
I recommended a book – Strengths Finder 2.0 – more about it on the blog next week. Click here* if you want to check it out now… http://amzn.to/GGtDuN
Maria mentioned a blog post she wrote, Our Biggest Mistake Ever – As an Artist, and why she doesn’t think it’s the best idea for artists to become manufacturers. Read it here >> http://mariabrophy.com/business-of-art/our-biggest-mistake-ever-as-an-artist.html
We also talked a lot about contracts and mentioned the eBook Maria & I co-authored – How to Understand Art Licensing Contracts. We are both very proud of this book and have received great feedback – check it out >> ArtLicensingInfo.com/contracts.html
What’s Up Next…
The next call is with Paul Brent on Wednesday, May 30, 2012 and will be his third SURTEX Recap and question call. He does an amazing job summing up his impressions of the show, the industry and trends the week after the SURTEX show – be sure to join us! He will also answer some questions so submit them at www.AskPaulBrent.com when you are ready!
Trade Show Printing Tips
With SURTEX and the Licensing Expo coming up, many artists are wondering and comparing notes about how to set up a booth, what to print and where to print. Here are a few suggestions – if you have others to share, by all means, leave them in the comments!
Option: Print your art at home.
The first few trade shows I did I printed all of my art at home on a large format printer (largest paper size: 13″ x 19″) I then hung many images in my booth to create the look I wanted.
Option: Have larger banners printed.
About 3 or 4 years ago (can’t remember!) I changed to the banner method. It is much faster to hang 8 banners than print & trim lots of smaller images at home and then get them all lined up and hung in my booth.
So where do you get banners printed? There are many, many options – simply head to Google and type in “trade show banners” and you will have more choices than you will want to investigate.
Personally, I’ve used UPrinting.com for vinyl banners in the past. Other artists have recommended HalfPriceBanners.com.
Last year I changed to Office Depot – I have my banners printed on glossy paper and the color comes out great. I do go in sounding a bit high-maintenance asking them not to use rubber bands (they did that last year and it ripped the bottom of 2 of the banners) and this year I had to add, “please don’t use paper clips” as it scratched the color. I ask them to roll up the banners and wrap recycled paper around them and tape it – that way the sides and ends don’t get messed up. As you can probably guess, these paper banners are more delicate than vinyl but they also weigh less for transport or shipping and show the colors more vibrantly.
For more ideas and information about booth design, check out these resources:
Post by John Chester of Wild Apple on the SURTEX blog
Photo Gallery from the 2011 SURTEX show
Look around the Licensing Expo website at pictures
Find even more trade show prep resources at www.ArtLicensingInfo.com/shows.html
Here’s to your creative success!
– Tara Reed
A trade show must-have that will only cost you $4
When you go to or exhibit at a trade show, you usually get a badge in one of those flimsy plastic holders with the skinny elastic string. Sometimes an exhibitor or two will be giving away nicer holders but then you are walking around looking like a big ad. (Smart on their part of course!)
I am a big fan of spending $3.99 at most office supply stores and buying a basic black ID Neck Pouch. Here are four reasons why:
- The strap is more comfortable.
- There is a zipper pouch on the back so you can safely hold some cash, a credit card or your hotel key.
- Many have a loop for you to hook your pen.
- In my opinion, it5 just looks more professional.
I have two holders and they have been serving me well for 8 years now. If I did my calculations right, I’ve used one of them at 18 shows and the other at 7 (the spare is used by my sister who helps me when I exhibit, that’s why it is used less often.) I’m down to about 20¢ per show for they holders and I don’t expect them to wear out anytime soon.
So invest $4, keep your stuff safe and look better. If you are feeling crafty you can change out the black nylon strap for something that fits your personality – I’ve seen fun beads, pearls and more – have fun with it!
Here’s to your creative success!
– Tara Reed
P.S. Exhibiting at an upcoming trade show? SURTEX and the Licensing Expo are right around the corner… Be sure to check out the resources to help you maximize your time and investment at www.ArtLicensingInfo.com/shows.html
Art Licensing Trade Shows are Coming – are you ready?
Just like Paul Revere road through the suburbs of Boston shouting, “The British are coming! The British are coming!” – it’s the time of year I start shouting “The trade shows are coming! The trade shows are coming!” If you are exhibiting at one of the 4 art licensing trade shows, are you ready?
Here is the schedule of upcoming shows:
AmericasMart Gift & Home Furnishings Market – Atlanta – License & Design section each January 13 – 15, 2012
- This is the “biggie” for the gift industry and in 2008, they added a License & Design section to offer artists booth space and promotion during the show.
- NOTE: AmericasMart has changed their admittance policy and NO ARTISTS are allowed in under their own business… period. While I disagree with this black & white policy since artists are an integral part of the industry, that’s the way it seems to be. Even artists with their art on many, many products in the show have to beg a client to let them in. Total bummer, very unprofessional. (In this artist’s opinion.) However, that is how it is so don’t head to Atlanta and think you will get in unless you have arranged for a badge from a manufacturer.
- Show website: http://AmericasMart.com/markets/gift
Craft & Hobby Association – Anaheim, CA – January 29 – FEbruary 1, 2012
- The biggest Craft & Hobby show of the year, they too have a License & Design section for artists to exhibit.
- Show website: http://hobby.org/
SURTEX – New York City – May 20 – 22, 2012
- Trade show solely focused on artists and agencies in art licensing.
- Show website: www.SURTEX.com
Licensing Expo – Las Vegas – June 12 – 14, 2012
- This show covers all aspects of licensing – sports, movies, tv as well as art.
- Show website: www.LicensingExpo.com
Here are a few things to help you get the most out of your time and effort:
How to Maximize Your Time and Investment in Trade Shows – eBook by Tara Reed
& Trade Show Tactics Teleseminar - audio replay by Tara Reed
Buy the eBook, the audio or both to get ready to exhibit at an art licensing trade show. Practical tips to help you plan your booth, man your booth and follow-up like a pro – making the time and investment in the show pay off. Decrease your learning curve by implementing tips and tactics that are proven to succeed.
Confessions of a First Timer – Reflections, Musings, Tips and Tricks from a First-Time SURTEX Exhbitor* – eBook by Khristian Howell
Khristian’s 23 page eBook is real, inspiring, positive and organized. She talks about the roller coaster of emotion and her strategies to keep a “get it done” attitude. She even shares how she is going to get ready for next year! For anyone thinking about exhibiting at an art licensing trade show – this is a great place to start.
Show Stopper – Road Map to Rocking Your Trade Show*- system by Khristian Howell
This is not just an ebook! With the help of some AWESOME GUEST STARS, Khristian has literally created your guide to getting it all done. What I can tell you now, is this project is like no other. While Khristian is putting the final touches on things, hop on the mailing list to be THE FIRST to hear about the upcoming release, FREEBIES, and a few surprises (that you will only find out if you are on the list!) along the way. Show season will soon be upon us! Get ready to be a Showstopper!
Wishing everyone much success in the upcoming trade show season!
– Tara Reed
P.S. If you are exhibiting you might also be interested in the eBook Maria Brophy & I just released – How to Understand Art Licensing Contracts – that is the point, after all!
FAQ: What art licensing trade shows are there?
I’m regularly asked what trade shows exist for artists who license or want to license their work. That question is often followed up by, “Which one should I do” and “When do I know if I’m ready?”
I can’t tell an artist which show will be “the one” for them or when they are ready but I can give you some links and some generic advice. Then it’s up to you to decide. Sound fair?
Every person will have different results from trade shows based on your art, preparation, how you work the booth, how your art fits what people are looking for, etc. I will say that you need to have a body of work before investing in a trade show booth. Paul Brent recommends a minimum of 12-15 collections – groups of 4 or more coordinating images or collections of coordinating icons, borders and patterns. Or… some combination of the two. With less – you probably won’t get enough interest to justify the expense. More is always better… one constant in this business is manufacturers asking, “What do you have that’s new?”
The four art licensing trade shows
There are four yearly shows that are either entirely for licensing or have sections specifically for artists who license their art. Here they are, in the order they take place in a year. I’ve included a link to the websites, a general time frame and a brief description of the show.
AmericasMart Gift & Home Furnishings Market – Atlanta – License & Design section each January
- This is the “biggie” for the gift industry and in 2008, they added a License & Design section to offer artists booth space and promotion during the show.
- Show website: http://AmericasMart.com/markets/gift
Craft & Hobby Association – Anaheim, CA – end of January
- The biggest Craft & Hobby show of the year, they too have a License & Design section for artists to exhibit.
- Show website: http://hobby.org/
SURTEX – New York City – May
- Trade show solely focused on artists and agencies in art licensing.
- Show website: www.SURTEX.com
Licensing Expo – Las Vegas – June
- This show covers all aspects of licensing – sports, movies, tv as well as art.
- Show website: www.LicensingExpo.com
Here’s to your creative success!
– Tara Reed
P.S. Need help preparing? Do you need tools to help you get your booth, your game plan, your game face, every ready? Don’t forget we have lots of options – eBooks, audios, and more at www.ArtLicensingInfo.com/shows.html Click on over and see what might help you put your best art-foot forward!
Licensing Expo is a wrap!
Well the 2 big spring shows are officially a wrap! SURTEX last month and the Licensing Expo last week. The first thing I can tell you is it was HOT in Las Vegas – I was playing tourist on Tuesday – the first day it hit 100 degrees. Too hot for this artist but I survived.
Wednesday morning I was a part of the Brand Yourself For Success in Art Licensing panel, moderated by Paul Brent. Kate McRostie and Jay Burch – CEO of the Laurel Burch art line – also participated. It was really interesting to get a variety of perspectives on the topic of branding and the feedback was that artists in attendance learned a lot.
If you couldn’t be with us, don’t forget that Paul did a teleseminar by the same name is available as a replay and transcript. Learn all about it at www.ArtLicensingInfo.com/branding.html.
I had about 2 hours to walk the show – which obviously meant I only saw a fraction of it! There were 73 exhibitors in the Art & Design section. The word on the floor was that attendance was up and people were making good connections – which is fabulous! Two cab drivers told me they heard 20,000 people were expected for the show but that seemed really high to me – will be interesting to see what the final numbers were.
I walked the show 2 years ago and was pleasantly surprised by the change in booth design from the tv and film people. They were definitely more elaborate this year which to mean – is a sign that things are turning around. We have to assume that we are part of the turn.
I had an interesting talk with a friend who was telling me to “check your ROI on each show before you sign up for the next one”. (ROI being Return On Investment) I said these shows build on each other and it’s hard to make a decision on one year’s show before the next. Just last week I closed a nice deal with someone I met at SURTEX in 2010. This is a relationship business and it sounds like some good ones were started at the Licensing Expo.
If you exhibited, we’d love to hear your thoughts. If you blog about it – please let me know and I’ll share the link.
Wishing you much success!
– Tara Reed
Wish you had decided to exhibit at an art licensing trade show?
It’s not too late!
Key booth locations are still being offered in the Art Gallery at Licensing International Expo – June 14-16 at the Mandalay Bay Convention in Las Vegas.

Don’t miss out on your opportunity to showcase your work to the Top Retailers, Manufacturers and Licensees that attend over 3 days. Turnkey booth packages are offered. Please call Todd Cusumano at 212-951-6638 to reserve your space today!
Not ready for this year? No worries – you can check out the show on a guided tour on Tuesday, 6/14 at 1 pm.
Anyone interested in attending should get a badge on the website www.licensingexpo.com then RSVP if interested in the tour – see info below. We will go over the show floor and new feature areas for 2012 including the new art area!
Here’s to your creative success!
– Tara Reed
P.S. If you decide to go – be sure to check out the class on Wednesday, 6/15 – Brand Yourself for Success in Licensing with Paul Brent – I’ll be on the panel along with a few other artists. Get all the details here: http://university.licensingexpo.com/index.php/branding-for-success-in-art-licensing/ Just one of many great classes offered – if you attend these trade shows, take advantage of the educational opportunities!
Here’s the tour info…
A refresher for artists walking an art licensing trade show to decide if it is for them
I’ve been getting emails and tweets and messages on Facebook from artists I know virtually who I hope to meet in person. If you are at the show – please stop by and say hi – I’ll be in booth #613.
But do remember that I and all the other artists who are exhibiting have talking with manufacturers as priority #1.
As you know, we are investing a lot of time, money and effort to meet the manufacturers at the show so we do need to have that as our main focus. Just be aware of people coming down the aisle and graciously let the exhibitors do their work. It is nothing personal of course – we all just invest a lot of money to be there and need to maximize our manufacturer connections!
To me, the most important thing is to be extremely conscious and considerate of the exhibitors and their time and investment in any of the particular shows. I’ve exhibited at more than 11 shows and have seen some crazy things. I’m not an agent for others yet some artists want me to spend a lot of time looking at their portfolio and telling them what to do. (That is what coaches are for, and not on a show floor.) Or others want to take my promotional materials and say to me, “So I can do mine just like yours”. That isn’t really a complement, it’s copying. Or one time and artist literally stood in front of my booth, rocking back and forth on his shoes saying, “Yup. I’ll be in a booth one day and you will have to compete with me.”
I don’t think most artists are mean-spirited in what they do or how they act, they just don’t know better. They get such tunnel vision about why they are there and wanting to learn that they forget the exhibitors have spent a lot of time, money and effort to be there – and not so someone can block your booth rocking back and forth on their shoes.
But don’t take my word for it – here is some great advice a fellow artist shared with a new artist wanting to learn what to do or not to do when walking a show.
She refers to SURTEX and a few of the details are specific to that show but overall, the advice is sound for any show.
I’ve done a booth at Surtex for a long time and mentored a number of aspiring artists. I remember how many questions I had and how eager I was. May I offer you and other new artists an arm around the shoulder about this? If you’re a newbie, there are so many ways you can step on toes without meaning to.
Sometimes when we’re so full of enthusiasm and want to learn so much, we can accidentally do things that make us seem rude and offensive. This happens often at Surtex. You may not realize it but those of us in the booths have spent thousands of dollars and hundreds of hours preparation to be there. We MUST make it pay. We are there to meet present clients and prospective ones. Our money and sweat has paid for that huge venue and brought those people into the building.
So while I know you’d never try to take advantage, you can understand why we ask you to walk down the middle of the aisle and not approach our booths. We don’t want people taking photos because we have struggled to dream up something that’s ours- we don’t want you to copy it. You must find your own vision, dream up your own wonderful and unique booth, not copy mine.
We exhibitors would ask you not to walk over and engage us in conversation unless we make the move first because if you are standing at our booth, proper show etiquette means that nobody else will approach us. Others do not know this is just a friendly, non-business conversation and if we’re just having a pleasant chat, prospective clients will walk by because that is politeness in this industry. They will not interrupt what might be a business meeting. You may unintentionally be wrecking our show. We may be wishing you’d leave but too polite to ask and make it awkward.
The same with portfolios. It is absolutely a no-no to start looking at another artist’s portfolio unless they invite you. Sometimes artists look through another artist’s portfolio to steal ideas. Of course that is probably the last thing you’d do. But if you innocently start looking through a portfolio, you are likely to have the artist respond by asking you to stop immediately. This happened to me a dozen times last year and after the first time or two I’m afraid I wasn’t particularly sensitive in the way I said it.
As to the $150 fee to walk the show, if you are planning to go you should pay it and consider it a cheap education. That’s only fair. We who have paid thousands for our booths have asked the show organizers to do this to make it more fair. Why should we pay all those fees so that others can walk in and take photos, meet clients, peek through our samples… all for free? If you look at it from the exhibitors’ point of view (and we after all are the ones who fund the whole show) why would we put out all that energy and money so that others can have it for nothing? I know that’s not the intention, but it’s how you will look at it when you have a booth, too. We are not major corporations, we are small design shops for the most part, individuals just like you. And we have to make it pay.
If you pay the $150 fee, you should wander the show and look at everything. Walk those aisles for hours. Smile and some of us will chat with you when it’s quiet and we can do so. But for the most part you are there to observe and learn. Don’t take photos, don’t approach busy people, and for heavens’ sakes don’t bring your portfolio and plan to whip it out and make a deal in the aisle. Bring a little stack of business cards and your most comfortable shoes, a notebook and pencil. If you see an agent you are interested in, note their name and you can contact them after the show. If there’s an artist you admire, write their name down and send them a kind email when you get home. This way you’ll build a reputation for being appropriate and considerate. You may make some valuable contacts and you’ll have gotten a good education.
I hope I haven’t offended anyone. I am only trying to offer you the advice someone should have offered me when I was starting out.
I wish you joy and success walking the show. If you come to Surtex, wave at me from the middle of the aisle and smile and if I can I will step out and greet you.
Thank you so much for letting me share this (you know who you are!) and I, too, wish everyone a great 2011. We all want to do what we love, be successful and get the economy and industry back to where it was. Let’s be professional, optimistic and work hard to make it happen!
– Tara Reed
P.S. I’ll also refer you again, to a great post by EC Stewart – Savvy Tradeshow Tramp. Humorous title aside, there are lots of great tips in there so what are you waiting for?
GO READ and you too, can be a Savvy Tradeshow Tramp… or the male version of a Tramp, what would that be anyway?
Not sure what to put in your Press Kit? Here are five things not to forget
It’s that time again… SURTEX and the Licensing Expo are looming and artist’s are gearing up! There are many moving pieces in preparing for trade shows – one of which is creating a Press Kit. A few weeks ago Kathy Weller reminded me on Twitter of a post I did two years ago about Press Kits – I do believe it’s time to re-post it. If I forgot about it – you probably did too! Kathy also reminds us that a press kit should reflects your own level of professionalism, attention to detail and originality. In other words – since we are artists, our press kits might benefit from being a little prettier than the press kit for a company that makes engine parts.
Here are 5 things to include in a press kit:
- Contact information! Don’t overlook putting your business card in the press kit. You want them to find you if they decide they want to do a cover story about you and your art, right?
- Press Releases. If you have done any press releases that would be relevant to the press at the trade show, be sure to include them. Speaking of Press Releases, make sure you are giving good information for a reader and not just talking about yourself. You are more likely to be included in an article, etc. if you give tips that people can use (like “5 things to include in a press kit”) vs. tooting your own horn (like “I’m really great at making pretty press kits”) — see the difference?
- Company Fact Sheet. Now that I told you not to toot your own horn, that doesn’t mean you don’t include some basics. Who are you? What is your story? What do you do? Are you an award winning artist? Put it here. Supporting charity? Write it down. New in business or going at it for 20 years? This is the place.
- Promotional Materials. Do you have postcards, brochures or flyers that show / describe your art or products? That should be in there! Like everyone, press people are busy people. And they have a LOT of press kit choices to look at… I had the pleasure of getting in the press room when I worked with Simple Scrapbooks™ magazine, trust me, it can be overwhelming. The person needs to “get” who you are and what you do at a glance… what can you include that will catch their attention and make them want to learn more? That is the key to a successful press kit!
- Presentation. How you present your press kit is as important as what is in it. As I said in #4, I’ve been the press person and walked the press room. Usually they have racks and racks of press kits, some are in folders, some are tied with bows, some are really ornate. (How creative the kits are depends a lot on the industry.) So you need SOMETHING on the outside to make someone stop and say, “Cool! What is this about?” Maybe it’s a catchy headline, or a captivating image. I’ve seen press kits in pocket folders, envelopes, even pizza boxes. I caution you against doing something too big (they may not find a spot for it) or too small (people may not notice it).
Here are some other resources for more nitty-gritty information about Press Kits and Press Releases:
http://www.glmshows.com/press/guidetopr.htm
http://www.dummies.com/how-to/content/constructing-a-press-kit.html
http://advertising.about.com/od/publicrelationsresources/a/fivepresskits.htm
http://www.entrepreneur.com/magazine/entrepreneursstartupsmagazine/2001/december/46660.html
And don’t forget about my new eBook – How to Be a Press Friendly Artist – that includes not only press kits but press releases, website additions and more. Check it out at www.PressFriendlyArtist.com
May the press be with you!
– Tara Reed
P.S. For more information about how to prepare for your upcoming trade show, check out the many available resources at www.ArtLicensingInfo.com/shows.html
Get a leg-up at SURTEX or the Licensing Expo…
Literally.
If you are exhibiting at an upcoming art licensing trade show you might wonder how you will reach the top of your 8 foot tall booth to hang things. You may or may not have stools in your booth during setup and they aren’t the best to stand on… trust me on this.
I have been packing a small stool that folds flat that I got a few years ago. It sits in my closet all year long and then travels across the country to give me that extra lift I need. Sometimes my sister and I even sit on it to sneak some food – it helps us hide behind the table without having to sit criss-cross-apple-sauce like a kindergartner.
I was SO HAPPY to find these stools at Marshall’s the other day that I had to share! They are better than my current stool because:
- they are a few inches higher, but will still fit in my suitcase.
- they come in a choice of colors! (my current stool is white – pretty boring.)
So, I wanted to share my find with you in case you are getting ready to head to New York or Las Vegas. Here’s to a successful show and a colorful leg up in your booth!
– Tara Reed
P.S. I have no affiliation with Marshall’s – just couldn’t resist my latest bargain find!





















